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Emovere: Analytical Perspective

On the webpage of the Real Academia Española (Royal Spanish Academy, RAE), the word “perspective” has, among several definitions, two that interest me: “to look through” and “to look closely at”. This is because the purpose of this article is to share my thoughts on the position of active spectator for the research process of the project Emovere and, in this sense, to analyze the role…

Among Resonances

Emovere, Body, Sound and Movement sought to produce a specific sensitive experience through the capture of physiological signals associated with emotion, combining an interactive and reactive model of digital technology between dance, image and sound. The starting point is sensoriality as a form of experience, where the fact that the emotional states are associated with physiological expressions…

Emovere: Romantic Love between Touch, Hearing and Affection

When I was invited to the project Emovere, I felt deeply attracted when I learned that in connection with its field of interdisciplinary experimentation-investigation, this project would have emotions as a foundation; that we, the dancers, would have to provoke and disarticulate these emotions and that this construction would be captured by physiological sensors…

A Foreign Vision: Dramaturgy and Perception in the Project Emovere

From the perspective of dramaturgy, one of the fundamental questions proposed by the project Emovere: Body, Sound and Movement refers to the nature of language: what type of specificity emerges from the stage conjunction of the bodies, the sound layers and the movement based on the original motivation to work on the topic of emotion?…